““It’s a little bit country, a lot of Southern rock, a good bit of soul, and some incredibly emotive performances by Taylor Hunnicutt that will have you shaking your head in disbelief. Her band happens to be hot shit too. This isn’t an album recorded by a lead singer with a studio band who first heard the songs a few minutes before they recorded them. This is an album of songs that were road tested for years sometimes, and cut live with the dudes who’ve banged them out in dive bars and bigger stages all across the United States.”

— Saving Country Music

His voice is so captivating. His concerts are like old, memorable conversations that make me feel like I’ve known him my whole life.

“Where most of the songwriters on the Texas scene today discovered guys like Jerry Jeff Walker through records handed down from their parents or older siblings, Wilkins was just old enough as a teenager growing up in Austin in the mid-’70s to see his heroes live and in their prime. Years later, when the upstarts back in Texas where grumbling about Nashville from afar, Wilkins was in the very belly of the beast, subverting the system by writing songs from the heart instead of by the book — and subsequently landing cuts of several of those songs on mainstream records.”

— Lone Star Music

Raul Midón “writes and plays music that defies easy classification, combining soulful tenor vocals with a prodigious guitar technique influenced by flamenco and other Latin styles, jazz, R&B, and favorite singer/songwriters like Joni Mitchell and James Taylor. He’s also known for his uncanny “mouth trumpet” solos, a technique he perfected while a student in the University of Miami’s jazz program. Since then, he has worked with an impressive list of jazz and pop icons including Herbie Hancock, Stevie Wonder, and Bill Withers.”

—Jazztimes